…Eyvazov sang the difficult tenor role flawlessly, beginning with a resounding “Celeste Aida” and ending with the piani in the final duet in Act IV. Whether heroic attack, impressively smashed high notes, intonation security and musicality, Eyvazov is certainly one of the best interpreters today of this rightly feared spinto part.

Read more: https://onlinemerker.com/berlin-staatsoper-aida-erniedrigte-und-beleidigte-im-sterilen-erinnerungsraum-premiere/