…Eyvazov sang the difficult tenor role flawlessly, beginning with a resounding “Celeste Aida” and ending with the piani in the final duet in Act IV. Whether heroic attack, impressively smashed high notes, intonation security and musicality, Eyvazov is certainly one of the best interpreters today of this rightly feared spinto part.

Read more: https://onlinemerker.com/berlin-staatsoper-aida-erniedrigte-und-beleidigte-im-sterilen-erinnerungsraum-premiere/

Goerke and Eyvazov sang so well that I was swept up in Puccini’s music during their scenes…Eyvazov, an athletic-looking Calàf, had beefy sound and clarion top notes, getting a big ovation for his “Nessun dorma.”

Read more: The Met´s “Turandot”- Strongly sung, garishly staged

Yusif Eyvazov is Mario Cavaradossi with prized musicality, always attentive to phrasing, to nuance, that lightens a correct and safe emission;

Eyvazov is a stylistically flawless Cavaradossi, with a clean singing line, with elegant legato, perfectly in tune with his musical partner.

…You will immediately recognize the mastery of his vocal technique, his marked musicality and a refined melodic line, rich in interpretive insights, that undoubtedly make Eyvazov one of the most remarkable tenors {…}